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Teresa Baker
Mapping the Territory September 6 - October 19, 2024 Teresa Baker Mapping the Territory September 6 - October 19 Broadway is pleased to present Mapping the Territory, our first exhibition with Los Angeles Artist Teresa Baker (Mandan,Hidatsa, b. 1985). Baker’s wall-based works are made primarily from artificial turf that is subsequently adorned with a variety of materials from acrylic... Read more -
In the Project Room: Abbey Williams
Natural Sound September 6 - October 19, 2024 In the Project Room: Abbey Williams Natural Sound September 6 - October 19, 2024 A single-channel pedestal mounted video, Natural Sound, montages imagery—both still and moving, found and original—outlining an abstract narrative of maternal and collective mourning. Here, grief and trauma are expressed by proxy. Viral news webpages of... Read more -
Claire Oswalt: Draw me a Clock
Broadway East Hampton pop-up location at 87 Newtown Lane July 27 - August 31, 2024 Claire Oswalt Draw Me a Clock July 27- August 31 Broadway East Hampton Opening Reception Saturday, July 27th 4-7pm Broadway East Hampton is pleased to announce a solo exhibition of new sewn-canvas and acrylic paintings by Austin, Texas and Southampton resident Claire Oswalt. Despite the elegant washes of paint and... Read more -
Sky Hopinka: Unforgiven Souls Sing Hymns
June 27 - August 2, 2024 Sky Hopinka Unforgiven Souls Sing Hymns June 27 — August 2, 2024 Where we thought we’d lay we lie no more. When we thought we’d rest instead we’re hurried towards an end that is damned and damning. Unforgiven souls sing hymns without worry ... Read more -
In the Project Room: Josh Tonsfeldt: Five Below
June 27 - August 2, 2024 In the Project Room: Josh Tonsfeldt Five Below June 27 - August 2, 2024 Broadway is pleased to present Five Below, a series of new works by New York artist Josh Tonsfeldt. The exhibition comprises a suite of paintings that slip between moments of photographic clarity and fluid wisps of... Read more -
Mickey Lee: Big Rock Candy Mountain
Broadway East Hampton pop-up location at 87 Newtown Lane June 27 - July 20, 2024 Mickey Lee: Big Rock Candy Mountain June 22 - July 21, 2024 Broadway Easthampton 87 Newtown Lane Easthampton, NY Broadway Easthampton is pleased to present Big Rock Candy Mountain, a solo exhibition of new paintings by New York artist Mickey Lee. Situated between a come-on and something more disconcerting, Lee’s... Read more -
Martha Friedman: Divided Subject
May 30 - June 22, 2024 Martha Friedman Divided Subject May 30 - June 22, 2024 Broadway is pleased to present Divided Subject an exhibition of new work by New York artist Martha Friedman. The Lacanian reference of the show’s title is a tip-off that the artist will continue her ongoing psychoanalysis of Modernist sculpture... Read more -
Rob Davis
The Golden April 25 - May 25, 2024 Broadway is pleased to announce The Golden a solo presentation of new paintings by New York-based artist Rob Davis. These modestly scaled oil on linen works take depopulated 1970s and 80s domestic interiors and culturally-charged objects as their subject. While initially apprehended as a mode of photorealism, prolonged viewing reveals... Read more -
Jacques Louis Vidal
In The Project Room: Underground Posterz April 25 - May 25, 2024 In the Project Room: Jacques Louis Vidal Underground Posterz April 25 - May 25 Broadway is pleased to announce Underground Posterz a solo exhibition by New York artist Jacques Louis Vidal. Envisioned as both a totalizing environment and a conglomeration of discrete artworks, the show transforms the Project Room into... Read more -
John Riepenhoff
Another Scene Painters’ Almanac March 21 - April 20, 2024 John Riepenhoff Another Scene Painters’ Almanac March 21 – April 20, 2024 Broadway is pleased to present Another Scene Painters’ Almanac, the gallery’s second solo exhibition by Milwaukee artist John Riepenhoff. Working outside under wintry, Midwestern skies and completed in the studio, the artist continues his project of reestablishing... Read more -
Mari Eastman
In the Project Room: Fan Art March 21 - April 20, 2024 Mari Eastman Fan Art March 21 – April 20, 2024 Broadway is pleased to announce Fan Art, an exhibition of new oil paintings by Chicago-based artist Mari Eastman. Working in small scale on panel and canvas, Eastman has created a sequence of appropriated portraits, still-life fragments, and... Read more -
Adrianne Rubenstein
Magic Show February 8 - March 16, 2024 Broadway is pleased to announce Magic Show our second solo exhibition with New York painter Adrianne Rubenstein. The show will be on view February 8 - March 16 with an opening reception Thursday, February 8th 6-8pm.
They sway and bob on the surface like so many bath toys, capsizing in the eddies: Goldfish (à la Matisse, indicated by the sparest of outlines, segments of orange, or oblong blips round at the head and not at the tail). Lily pads (shorthanded as a circle missing a triangular notch that also reads as Pac-Man, a kind of patron saint here of appetite and rampant desire). Waterlilies, that are also tulips (and upside-down ghosts, again, à la Pac-Man). Other kinds of flowers (either shaped like breasts and areola with amoeboid or softly scalloped circles buttoned in the center, or like straggly palm trees or spooky witch hands bent with pointy fingers for petals). Vases, pitchers, vessels. Chairs. Hints of a window (suggesting interiors). A pair of bees (wasp-like, tonguing two flowers). Strawberries (dangling on the vine, like charms on a bracelet) and a cluster of grapes. Broccoli, so much broccoli (sometimes doubling as trees). And fragments of a fairytale landscape. Scaled haphazardly, these pictograms resist cohering into representational scenes. Rather, their adjacencies make up a fluid psychic map of attention paid and emotion invested.
Adrianne Rubenstein’s embrace of small, silly, antiheroic things—metonyms of a quiet life of observation and daydream, a home life, redolent with childhood associations—may give an initial impression of one-dimensionality, like stickers on a folder or backseat window. They are starting points, ways in. So many excuses to paint: “I try to work with simplified subjects so the painting can just be painting.” While they can be extremely graphic, the shapes she uses and reuses are fundamentally in service of and subsumed by wild conflagrations of color and unblended strokes that make her paintings radiate outsized life force and ineffable glow.
In “Magic Show,” Rubenstein is at least as interested in dissolving things as in appearing them. Things have the quality of apparitions and afterimages, as though fleetingly formed out of cloud, shadow, or hot neural firings. And yet, her handling of paint is visceral, material, and creamed. Building up surfaces with scrubby swaths, loose lines, and intense patches, she makes mark-making the main generator of shape, competing right alongside imagery. A raw energy runs through all things. Color and stroke have a touch and go relationship with what she depicts, in the manner of the Fauves or Emil Nolde. Our eye (her brush) bounces from spot to spot, tracking accents of one lush hue or another across positive and negative space. Heavily outlined objects rupture just short of completion: more than things themselves, she portrays the condition of being uncontainable, where inner juices burst forth and the surrounding atmosphere rushes in. Across each painting lingers an air of great release.
Speaking of atmospheres, Rubenstein’s are typically tinted purple and blue. In fact, blue, especially when deep and dark, has become an aesthetic anchor (her 2023 solo show in LA, after all, was titled “Blue”) and a gathering of blues signals the sublime in her work—something very beautiful, breathtaking, or swoon-inducing, something knee-bucklingly lovely. Aqua and sky-blue mostly cover a warm, coral pink underpainting that emanates vivid sunset tones in Several Gardens. Daubs of periwinkle and teal steal the show in Magic Show. And Blue Broccoli wrangles countless shades and tints to conjure from its abstract watery depths an evocation of Monet’s indescribably divine Nympheas, while also being churned by the lyrical goof of her chosen subject matters and the crayon-fisted way she shapes them. For Rubenstein, color is anything but flat; it is a chorus of varying pitches and modulated opacities (she wields white masterfully), a heightened manifestation of intuitive, irrepressible, wet-on-wet movement that can be spastic or casual or considered and is recorded right there for all to see as painting.
~ Sarah Lehrer-Graiwer Read more -
Friends of the Pod
Friends of the Pod January 8 - February 2, 2024 'Friends of the Pod,' a group show curated by Nate Freeman and Benjamin Godsill opens Monday Jan 8 with an opening reception from 6-8PM. - Wellll-come back to a special exhibition of No-ta Be-ne, here we are again on Broadway on a sunny winter’s day, - Fresh off the jet,... Read more -
Andrew Kuo
Me, Lately November 9 - December 23, 2023 Andrew Kuo Me, Lately November 9 – December 23 Openning Reception Thursday, November 9th 6-8 pm I first learned of Andrew Kuo through his nineteen-nineties zine, Trash Heap—it was great, trust me—though in some alternate, totally plausible timeline, we grew up as family friends. (Long story involving some... Read more -
Sarah Cain
Sarah Cain October 6 - November 4, 2023 Sarah Cain
October 6 - November 4, 2023
Broadway is pleased to present a solo exhibition of new mixed-media paintings, stained glass, works on paper, and a site-responsive intervention by Los Angeles artist Sarah Cain.
As is typical of the artist, the show is a multi-valent exploration of color, materiality and variable scale—the latest iteration of an ever-expanding, totalizing approach. Working from the intimate, handheld scale of her $talisman series (made directly on dollar bills) to monumental public works in stained glass and painted architectural pieces (recently installed at San Francisco International Airport, Stanford Hospital, Orange Barrel Media Headquarters and forthcoming at the LA Metro Century City Station) Cain brings an equalizing dynamism and attention to detail to each format.
In a first for Broadway, Cain includes two new domestically-scaled stained glass works. The brightly hued panes, additionally embedded with faceted glass “jewel” formations, allows for a dramatic expansion of her color drenched practice as light is refracted through them.
The paintings display a controlled delirium of angular zags and swooshing curves and are similarly festooned with found objects of humble yet jubilant origin. Rope, beads, prisms, string, and gold leafing complicate flat planes of pure color with a touch of found-object energy, adding sculpture to the conversation and pointing to the artist’s larger site-responsive interaction. This inclination is represented here by the freestyle transformation of the gallery’s steel columns in multicolored paint. The effect cleverly calls attention to TriBeCa’s signature structural detail and showcases Cain’s sensitive yet boundless approach to artmaking.
Sarah Cain earned her BFA from the San Francisco Art Institute and her MFA in studio art from the University of California, Berkeley. In 2006, Cain attended the Skowhegan School of Painting and Sculpture. Cain has had solo exhibitions at the Henry Art Gallery, Seattle, WA; Colby Museum of Art, Waterville, ME; the Tang Teaching Museum, Saratoga Springs, NY; The Momentary (at Crystal Bridges Museum of Art) Bentonville, AR; the National Gallery of Art, Washington, D.C.; Aspen Art Museum, Aspen, CO; Institute of Contemporary Art, Los Angeles, CA; Museum of Contemporary Art San Diego, La Jolla, CA; Los Angeles Nomadic Division, Los Angeles, CA; CAM Raleigh, Raleigh, NC; and the San Francisco Art Commission, San Francisco, CA. Additionally, Cain has participated in numerous institutional group exhibitions, including the Los Angeles County Museum of Art, Los Angeles, CA; Columbus Museum of Art, Columbus, OH; Contemporary Arts Museum, Houston, TX; and the San Francisco Museum of Modern Art, San Francisco, CA; among others. Cain’s work is held in numerous public and private collections, including the Los Angeles County Museum of Art; Museum of Contemporary Art, San Diego; National Gallery of Art, Washington, D.C.; Perez Art Museum Miami; San Francisco Museum of Modern Art; UBS Art Collection; and the Zabludowicz Collection, London. Her work has been featured in The New York Times, Vogue, Town & Country, Los Angeles Times, Artforum, Architectural Digest, and Art in America.
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Devin Troy Strother
The Black Man Inside September 8 - 28, 2023 Devin Troy Stother
The Black Man Inside
September 8 - September 30, 2023
I love being called a black person. The color of my skin is nowhere near what the actual pantone looks like. I’ve just always loved the idea that my identity is tied and associated with a color, and it happens to be one of my favorite colors to work with. Also, being a visual artist, I think it’s clear why I would love being marginalized down to a color. A color that has a culturally established notions, ideas, and vibes attached to it. The very definition of the word black has a whole legacy on its own:
1. Black is a color that results from the absence or complete absorption of visible light. It is an achromatic color, without hue, like white and grey. It is often used symbolically or figuratively to represent darkness.
2. Black, or less commonly, black
a: of or relating to any of various population groups of especially African ancestry often considered as having dark pigmentation of the skin, but in fact having a wide range of skin colors.
Black Americans
NOTE: Capitalization of Black in this use is now widely established.
b: of or relating to Black people and often especially to African American people or their culture.
Black literature.
3. Black was one of the first colors used by artists in Neolithic cave paintings. It was used in ancient Egypt and Greece as the color of the underworld. In the Roman Empire it became the color of mourning, and over the centuries it was frequently associated with death, evil, witches, and magic.
Black is the most common ink color used for printing books, newspapers and documents, as it provides the highest contrast with white paper and thus is the easiest color to read. Similarly, black text on a white screen is the most common format used on computer screens.
Some pretty, pretty fucking cool facts in my opinion.
The works in the show are all basically forms of self-portraits. These self-portraits are told through the guise of the studio, with the studio being a reflection of myself. This is also achieved by putting myself into a painting that exists somewhere inside of the still-life-like interiors, that mimic and mirror my own studio set up. So, I am formally and metaphorically inside all of the images. While my essence and some of my body parts inhabit the pictorial space, the idea of the portrait is subverted by objects and ephemera that populate my life as a painter. The objects start to become motifs that move from painting to painting, leaving a trail of my presence in them all.
The title is also a reference to my physical and meta self and how I delegate myself to be inside the studio and the gallery itself, while also referring to the idea that I’m in my own head.
While being in my own head, I begin to constantly think about the landscape and trajectory of “black” contemporary painting and its relationship with portraiture, how that relationship has been formed and molded by a mainly non-black audience. The idea of just putting up a mirror in the studio and using what you see in the mirror's reflection as the sole content for your current works.
This journey for me has been a fascinating introspective look to all things that I hold sacred when thinking of what marks, colors, and forms best describe the self in the metaphoric and the literal sense—then trying to find the best way to redirect all that shit onto a fucking canvas.
--Devin Troy Strother
Los Angeles, August 2023 Read more -
Yoshiaki Mochizuki
In the Project Room: Prototype September 8 - 28, 2023 In the Project Room:
Yoshiaki Mochizuki: Prototype
September 8 - September 30, 2023
Broadway is pleased to present Prototype, a solo exhibition of new work by New York-based artist Yoshiaki Mochizuki.
Expanding on his signature works on plywood panels, Mochizuki has evolved his practice by incorporating a sculptural dimension via hand-carved slabs of black walnut. The wood is treated variously with layers of varnish, gesso and precious metal leafing, providing a dynamic combination of matte and reflective finishes. Where his earlier works were engraved with complex geometric patterning and referenced the screen-space and the mutability of film and video, the new pieces tend toward the monochromatic and topographical—effectively trading restless optical effect for physicality and stately sculptural stasis. Read more -
JP Munro
Overworld June 22 - July 28, 2023 Broadway is pleased to announce a solo show of new paintings by Los Angeles artist JP Munro.
The exhibition comprises two enduring strains of the artist’s practice: exacting plein air landscapes, and altogether fantastical tableaux populated with a pantheon of mythical figures. Read more -
Jessie Henson
In The Project Room: See What the Sun Thinks June 22 - July 28, 2023 New York-based artist Jessie Henson will make her Broadway debut with See What the Sun Thinks, an exhibition of new works in our Project Room.
Working with an industrial sewing machine and gold leaf on paper, Henson approaches her abstractions with as much muscle as grace. As the tightly nestled and brightly colored thread accretes across the surface in clusters, the paper buckles and contorts adding a sculptural dimension that is echoed by the reflectivity of the metallic leafing.
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Claire Oswalt
We Have Never Been Modern May 18 - June 17, 2023 Broadway is pleased to announce We Have Never Been Modern a solo presentation of new paintings, wall-mounted marble works, and works on paper by Austin-based artist Claire Oswalt. Read more -
James Benjamin Franklin
W H I L E A W A Y April 13 - May 13, 2023 Broadway is pleased to announce W H I L E A W A Y a solo exhibition of new paintings by Detroit-based artist James Benjamin Franklin. Read more -
Ariel Mitchell
In the Project Room: A Wooley Reasoning April 13 - May 13, 2023 Broadway is pleased to announce A Wooly Reasoning a selection of new paintings by New York-based artist Ariel Mitchell. Read more -
Davina Semo
My Powerful Wish March 2 - April 8, 2023 Broadway is pleased to present My Powerful Wish, a solo exhibition of new work by Los Angeles artist Davina Semo. Comprising new iterations of the artist’s well-known bronze bells, reliefs, and chain works, as well as new explorations in woven metal mesh adorned with colorful aluminum letters, the show is a testament to Semo’s dedication to fully exploring an idea, and her restless drive for innovation. Read more -
Jo Nigoghossian
In The Project Room: The Eastern European Collection and Doll E. Deville March 2 - April 8, 2023 Broadway is pleased to announce a solo exhibition in our Project Room by Albany-based artist Jo Nigoghossian. A succinct presentation of four new oil paintings—three of her signature flowers, and one of a burlesque performer—the show nicely distills the artist’s preoccupation with melding traditional technique and subjects with psychologically charged, often morally ambiguous and incongruous details that work to destabilize a viewer. Read more -
Lars Fisk
10SNE1 January 21 - February 25, 2023 Broadway is please to announce 10SNE1 by Lars Fisk. Read more -
Meg Lipke
Ingredients You Can See and Pronounce December 8, 2022 - January 14, 2023 Broadway is pleased to present Meg Lipke: Ingredients You Can See and Pronounce, the second solo exhibition at the gallery by the artist. Read more -
Devin Troy Strother
New Works On Paper December 8, 2022 - January 14, 2023 In our viewing room, Broadway is pleased to announce a solo presentation of new works on paper by Los Angeles artist Devin Troy Strother. Read more -
Victoria Roth
Velvet Nerve October 13 - November 19, 2022 Before anything else in Victoria Roth's new paintings, you notice color. Sharp and deep, sour, delicate; shades soon attach to shapes and spaces, all vivid with texture. Roth's work is not figurative, but it is bodily. Things bulge and are veiny. Structures take dendritic turns. There are several, exactingly applied... Read more -
Jamilah Sabur
Eltanin September 9 - October 8, 2022 Broadway is pleased to announce Eltanin the New York solo debut of Brussels-based multi-disciplinary artist Jamilah Sabur. Read more -
John Riepenhoff
Milwaukee Nights and Decoys June 9 - July 15, 2022 Like many of us over the past few years, John Riepenhoff curtailed his wanderings to spend more nights standing still. This was an especially peculiar condition for an artist whose practice is rooted in complex social networks and in creating opportunities for disparate communities to overlap. Broadly, his work has been committed to the collaborative. Through the production, preparation and consumption of food and beer, hand-built ovens and outdoor grills sited for community use, as well as organizing of contemporary art exhibitions, screenings and performances in his Green Gallery spaces, Riepenhoff is a multi-directional conduit for his beloved hometown of Milwaukee continuously importing and exporting cultural production of his own and by others. Read more -
Sky Hopinka
River Child May 6 - June 4, 2022 Broadway is pleased to present River Child the gallery’s second solo exhibition by Hudson Valley-based artist Sky Hopinka. Centered on the New York debut of two recent video works The Island Weights and Kicking the Clouds, the show embodies the artist’s peripatetic existence, gathering footage and inspiration for his writing along the way. In addition, he has created a group of unique photographs hand-inscribed with his poems and prose which effectively distill the impact of the moving image works. Read more -
Jo Nigoghossian
You Are Getting Very Sleepy March 31 - April 30, 2022 The Anglo-American artist Jo Nigoghossian has been living in Florida. Not exactly hiding out, but something close to it. Given that her paintings often focus on floral still life and its attendant death fixations, her adoptive home’s relentless snarl of plant life crawling with all manner of slithery, possibly venomous creatures has nourished the work and added a dimension of stylish menace. Read more -
Josh Tonsfeldt
February 25 - March 26, 2022 Broadway is pleased to announce a solo exhibition by Josh Tonsfeldt. Comprising wall-mounted sculptures, photographs, a single-channel video and a large-scale installation, the presentation demonstrates the artist’s characteristic complexity of medium and application. Blending found images and abstraction, technology and raw emotion, Tonsfeldt examines the nexus of nature and culture with an allusive and poetic touch. Read more -
Jon Pestoni
January 20 - February 19, 2022 Broadway is pleased to present a solo show of new paintings by Los Angeles artist Jon Pestoni. Occupying a position that transcends the figuration/abstraction binary, the works instead function as a layered index of their own creation. Marks, erasures, elisions and obfuscations accumulate in anxious accretions of oil paint and... Read more -
Edie Fake
12th House December 9, 2021 - January 15, 2022 Broadway is pleased to present 12th House, a solo show of new paintings and a site-specific mural by California artist Edie Fake. Read more -
Adrianne Rubenstein
Global Warmth and Global Cooling October 21 - November 20, 2021 Broadway is pleased to present Global Warmth and Global Cooling, a solo exhibition of new oil paintings on panel and canvas by New York artist Adrianne Rubenstein. Drawing inspiration from the more ignored corners of art history, design and even cookbooks, Rubenstein's paintings manifest peculiar combinations that exist in tension. Fantasy and mundane specificity, hopefulness and dread, the liberation of expressionism and the utilitarian humility of illustration cohabit in an uneasy but evocative truce. Read more -
Sarah Cain
Sarah Cain September 10 - October 16, 2021 Read more -
Tom Lawson
What’s Already There August 5 - 27, 2021 Broadway is pleased to present What's Already There, a solo exhibition of new abstract paintings by Brooklyn artist and musician Tom Lawson. Read more -
Soft Network
Interior Scroll or What I Did on My Vacation, Organized August 5 - 27, 2021 OPENING THURSDAY AUGUST 5, 11-6PM Alvin Baltrop Sarah Charlesworth Sari Dienes Andrea Fraser & Jeff Preiss Robin Graubard Kite Kite & Alisha B. Wormsley Alison Knowles Stan Lathan/St. Clair Bourne Juanita McNeely Ryan Muller & B. Wurtz Adam Putnam Carolee Schneemann Anita Steckel Read more -
Claire Oswalt
Topiaries June 24 - July 30, 2021 Broadway is pleased to present the New York solo debut of paintings and works on paper by Austin, Texas-based artist Claire Oswalt. The paintings are constructed from breezy swaths of pigmented canvas which are cut and sewn into recombinant forms and stretched onto asymmetrical supports. Referencing landscape and the more poetic neighborhoods of painterly abstraction, Oswalt melds romanticism with a refreshing technical precision. In particular, the artist's unique treatment of the painting's edges through a combination of wrapping and paint application, creates an inbuilt framing device that simultaneously abets illusionistic pictorial space and a tactile, sculptural presence. Read more -
Devin Troy Strother
Smoking And Painting May 22 - June 19, 2021 Broadway is pleased to present Smoking and Painting by Devin Troy Strother. Read more -
Andrew Kuo
Water Lilies April 10 - May 15, 2021 Broadway is pleased to present a solo exhibition of new chart paintings and loose, brushy abstractions by Andrew Kuo. Born in New York and raised by a dissident Taiwanese writer father and art historian mother, Kuo has lived an uncommon existence that melds the immigrant narrative, an intellectual milieu, and an All-American passion for pop culture and its discontents. Read more -
Andrea Marie Breiling
Eyes to the Wind February 26 - April 3, 2021 Broadway is pleased to present Eyes to the Wind Andrea Marie Breiling. Read more -
Andrew Kuo, Edie Fake, Devin Troy Strother, Claire Oswalt, Jo Nigoghossian, Lars Fisk, Sarah Cain, Josh Tonsfeldt
Grouper January 20 - February 20, 2021 Broadway is pleased to present the group show Grouper. Read more -
Meg Lipke
Meg Lipke December 5, 2020 - January 16, 2021 Broadway is pleased to present a solo exhibition of recent paintings by Hudson Valley-based artist Meg Lipke. Operating at the edge of acrylic and canvas’ capabilities, Lipke takes painting out for an exhilarating walk in the expanded field. Ranging in scale from intimate to monumental, these disarming works engage the bodily effect of sculpture without sacrificing their firm footing in the traditions of painting, and its symbiosis with the wall. Read more -
Sky Hopinka
Lore October 10 - November 21, 2020 For its inaugural exhibition, Broadway is pleased to present Lore, a solo show by artist and filmmaker Sky Hopinka. Centered around a 16mm looping film projection and including a suite of photographs hand-inscribed with related texts, the show succinctly encapsulates Hopinka’s ambitious and wide-ranging practice. Harnessing modes of filmmaking from feature-length non-fiction to skewed documentary to poetic experimental reveries, the artist enlists image, music and language in penetrating the spectral condition of a perpetual afterlife that infuses contemporary Indigenous existence—and that this medium so effectively evokes in his hands. Read more